Chapter 2 - THE OLD HOUSE IN THE WOODS

“Because she wasn't the only child hiding in that car.”
The words hung in the air, heavy and suffocating.
Luca Moretti gripped his phone so tightly the glass screen protector cracked under his thumb. The restaurant around him was still in total chaos. Emergency lights cast long, eerie shadows over the overturned tables. The scent of gunpowder lingered in the air, bitter and sharp.
“Mom,” Luca said, his voice dropping to a dangerous, terrifying whisper. “Who was the other child?”
On the other end of the line, his mother’s breath hitched. Rosa Moretti was a woman of iron. She had survived the brutal underworld of the Italian mafia for decades. She never cried.
But she was crying now.
“Do not let her reach the old house, Luca,” Rosa pleaded, completely ignoring his question. “If she opens the floorboards in the study, everything is over. The family is over.”
“Answer my question!” Luca roared.
The line went dead.
Luca stared at the phone. His chest heaved. He had spent seventeen years believing his father was a martyr, a good man gunned down by a random thief in an alley. Now, a terrified twenty-three-year-old waitress had torn his entire reality apart in less than five minutes.
His men burst through the front doors of the restaurant. Six heavily armed enforcers, led by his right-hand man, Matteo.
“Boss!” Matteo shouted, sweeping the room with his weapon. “We heard the shot. Are you hit?”
“I’m fine,” Luca said coldly, slipping his phone into his tailored jacket. He looked at the spot where the waitress had vanished. “Someone cut the power. A man in a gray coat grabbed the girl. Find him. Tear this city apart if you have to.”
“And you?” Matteo asked, looking at the second note left on the table.
“I have an errand to run,” Luca replied.
Luca didn't wait for a security detail. He walked out into the freezing autumn rain, got into his black SUV, and slammed his foot on the gas.
He was heading for the old house.
It was a sprawling, decaying hunting lodge hidden deep in the woods, fifty miles outside the city limits. His father, Vittorio, had bought it before Luca was born. After the murder, Rosa had forbidden anyone from going there. She had let it rot.
Now, Luca knew why.
The drive took an hour, the rain lashing against the windshield like angry fingertips. Luca’s mind raced. Your mother shot him. The waitress’s words echoed in his skull. Could his mother have pulled the trigger? Could the woman who used to bake him bread and kiss his scraped knees be a cold-blooded killer?
He arrived at the lodge. The wrought-iron gates were already forced open.
Tire tracks cut deep into the mud of the driveway. Someone had beaten him here.
Luca drew his 9mm pistol from his shoulder holster. He stepped out into the freezing rain. The lodge looked like a haunted corpse, its windows dark and shattered, ivy choking the stone walls.
He moved silently onto the wooden porch. The front door was ajar.
Luca pushed it open. The hinges screamed in the silence.
Inside, the air was thick with the smell of dust, damp wood, and something else.
Cheap vanilla perfume. The waitress.
“Hello?” Luca called out. His voice echoed through the cavernous foyer.
No answer.
He moved slowly, clearing room by room. The furniture was covered in yellowed sheets. Memories flashed before his eyes—his father sitting by the fireplace, smoking a cigar, laughing. The memories made him sick.
He reached the study at the end of the hall.
The heavy mahogany door was wide open. Inside, a flashlight was sitting on the dusty desk, its beam illuminating the center of the room.
The floorboards had been ripped up.
Luca stepped into the room, his gun raised. The hole in the floor was dark, exposing the crawlspace beneath the lodge. Someone had just dug something up.
He knelt by the edge of the jagged wood.
Resting in the dirt beneath the floorboards was a small, rusted tin box. The lid was thrown open. It was empty, except for one thing left behind.
Luca reached down and picked it up.
It was a child’s drawing. Crayon on crumpled, yellowed construction paper.
Luca held it in the beam of the flashlight. His blood ran instantly cold.
The drawing depicted a car. Standing next to the car was a man lying on the ground with red crayon scribbled over his chest. His father.
Standing over him was a woman with a gun. His mother.
But there was a third figure in the drawing. A man standing in the shadows, holding a cane.
Luca’s breath caught in his throat. Don Carlo. His godfather. The man who had mentored him, protected him, and raised him to take over the family business. Don Carlo always walked with a silver-headed cane.
Why was Carlo in the drawing?
Before Luca could process the horror of it, a floorboard creaked in the hallway.
Luca spun around, raising his weapon.
Standing in the doorway was the man in the gray coat. The man from the restaurant.
He wasn't holding a gun. He was holding the waitress.
Elena was bound and gagged, tears streaming down her bruised face. The man in gray had a knife pressed tight against her throat.
Luca leveled his gun at the man’s head. “Let her go. Right now.”
The man in gray slowly looked up. He pulled back the hood of his coat.
Luca froze. His hands began to shake.
The man looked exactly like Luca’s father’s old driver. The man who was supposed to have died alongside Vittorio seventeen years ago.
“You look just like him,” the man whispered, his voice trembling with a mixture of rage and profound sorrow. “You look just like the monster who ruined my life.”
Luca didn't lower his gun. “Who the hell are you?”
“I’m the other child in the car,” the man said, a single tear cutting through the dirt on his cheek. “My name is Marco. I am Elena’s older brother.”
Luca stared at him. “You sent the photo to my phone.”
“Yes,” Marco said.
“Why?”
Marco slowly moved the knife away from his sister’s throat. He reached into his coat pocket.
He pulled out a heavy, silver pocket watch. It was completely coated in dried, blackened blood.
May you like
He tossed it onto the floor at Luca’s feet.
“Because your mother didn't just kill your father,” Marco said, his voice breaking. “She killed mine, too. And I want to know why.”