Chapter 6 - THE DRAWING

Marcus didn't ask questions. He owed me his career, and within three hours, I was sitting in a dimly lit diner outside Baltimore, watching my encrypted tablet download gigabytes of hidden Whitmore Health data.
I ordered a black coffee and opened the file labeled Palmer_S.
I expected to find fake billing records or a secret paternity test. Instead, I found a surgical prep sheet.
Sophie Palmer wasn't scheduled for a congenital heart repair.
I zoomed in on the diagnosis code.
Elective Cosmetic Restructuring.
I choked on my breath. Sophie didn't have a heart condition. The "high-risk pediatric surgery" Grant had stolen my son’s O-negative blood for wasn't life-saving. It was a highly specialized, experimental cosmetic procedure to fix a facial birthmark Rachel had always complained about ruining her daughter's "marketability" as a child model.
Grant traded his son's blood for his illegitimate daughter's beauty pageant future.
I slammed the tablet shut. The rage inside me was no longer hot and chaotic; it was freezing cold and completely focused.
I needed to find Eli.
If Grant moved him to a "private rehabilitation facility," it wasn't a real hospital. It was a stash house. A place where Grant could control the narrative and keep Eli quiet until the custody papers were finalized.
I drove to the one place Grant felt untouchable: the Whitmore family’s secluded hunting lodge in the Catoctin Mountains. It was technically owned by a shell company, making it off the books.
The gravel road was dark, flanked by dense pine trees. I parked half a mile away and walked the rest in the freezing night air.
As I approached the sprawling log cabin, I saw Grant's Range Rover parked out front.
I crept to the back of the house and peered through the massive glass windows. Inside, a fire was roaring.
Rachel was sitting on the leather sofa, sipping wine. Grant was pacing in front of the fireplace, talking furiously on his phone.
But it was what I saw on the dining room table that made my heart stop.
Eli’s favorite blue blanket.
I slipped to the side door. It was locked, but the keypad was an old model. Grant never changed his passwords. I punched in his mother's birth year, and the deadbolt clicked.
I moved silently through the mudroom and down the hallway.
"You promised me the transfer would be clean," Rachel was arguing in the living room. "If the board finds out you forged her signature, the endowment is voided."
"The board won't find out because Mara has no money to hire a lawyer, and no one will believe a grieving, unstable mother over the Chief of Medicine," Grant snapped.
I crept past them and opened the door to the ground-floor guest bedroom.
Eli was lying in the heavy mahogany bed. His cast was propped on a pillow. He looked exhausted, terrified, and so incredibly small.
"Mom?" he whispered, his eyes going wide.
I rushed to the bed and clamped a hand over his mouth gently. "Shh, baby. I'm here. I'm taking you home."
I pulled the blanket back. But as I lifted him, a piece of paper fluttered off the bed and landed on the floor.
I picked it up. It was a child’s drawing, done in heavy crayon.
It showed a stick figure of a boy in a cast. Next to him was a tall man in a suit.
But the tall man wasn't holding the boy's hand. He was holding a steering wheel.
May you like
Underneath the drawing, in Eli's shaky handwriting, were three words.
Daddy’s black car.