stance

Chapter 5 - The Drawing of the Wooden Boat

"That's impossible," Elena breathed, staring at the tablet screen until the pixels blurred. "Mrs. Alvarez was standing right beside the fireplace in your ballroom ten minutes ago!"

Marcus enlarged the timestamp on the lobby camera feed.

"She wasn't," Marcus said grimly. "Look at the hallway monitor from the estate. The moment the guard announced the watch was found, Mrs. Alvarez walked out through the butler's pantry. She didn't go to Queens just now, Boss. That lobby timestamp is from forty minutes ago—while Elena was out by the conservatory getting the call from the hospital."

Elena's chest tightened until she could barely draw air. "Then the photo Carla sent me from the peephole—"

"Was delayed by the cell jammer in the hallway until the device burned out," Marcus finished. "Mrs. Alvarez took Sofia out the back courtyard forty minutes ago, drove back to the estate in thirty, and stood in that ballroom with her wrist wrapped up like she'd never left the house."

Dante hit the intercom button for the driver. "Turn around. Don't take the main gates—bring us in through the orchard service road behind the carriage house."

"Wait!" Elena grabbed Dante's forearm, her nails digging into the fine wool of his tuxedo jacket. "Why would Mrs. Alvarez take Sofia back to your estate? And why did Carla say she was wearing a hospital uniform?"

"Because Dolores Alvarez was a pediatric nurse at St. Jude's twenty-five years ago," Dante said, his jaw clenching as the Maybach whipped around in a tight U-turn across the wet asphalt of Queens Boulevard. "Before my father hired her to care for Luca when he was born premature. She raised my brother like her own son."

Elena stared at him as the pieces began shifting violently into place.

Four nights ago, Elena had walked into the estate kitchen at one in the morning for a glass of water and found Mrs. Alvarez crying over a broken brass music box. The older woman had claimed she'd sprained her wrist lifting a copper stockpot. She had watched silently as Elena took a pair of curved watchmaker's tweezers from her purse and spent forty minutes repairing the tiny brass cylinder.

She wasn't crying because the music box was broken, Elena realized, a chill racing down her spine. She broke it on purpose. She wanted to see if the sister of Clara Vega had the watchmaker's hands Luca had told her about.

"Wait," Elena said aloud, her voice shaking. "Why would Luca know my father was a watchmaker? Clara didn't care about clocks—she hated working in the shop."

Dante looked at the cracked gold watch in his hand, then at Elena's face in the passing streetlights.

"When Luca was twenty-eight, he stopped coming to the family shipping offices," Dante said quietly. "For four months before the crash, he spent three afternoons a week at a small repair shop on Roosevelt Avenue, learning how to clean antique pocket watches. He told me the old man who ran the shop was going blind from diabetes and his older daughter was working double shifts as a hotel housekeeper to pay his lease."

Elena's breath stopped completely.

She remembered the tall, quiet young man in a dark wool peacoat who used to sit on the wooden stool beside her father's workbench in the autumn of 2019. She had only seen him twice in passing when she dropped off her father's hot dinner in a tin carrier before rushing to her night shift at the Marriott. He had always kept his collar turned up and paid her father in crisp hundred-dollar bills for repairing junk-shop watches that weren't worth twenty dollars.

Her father had called him Leo.

"He didn't come to the shop for Clara," Elena whispered, her hand rising to her throat. "Clara only came by the shop on Fridays to borrow money from my dad. That's how she met him."

The Maybach turned off the highway and plunged into the dark, tree-lined lane leading to the back of the Moretti estate. The driver killed the headlights as the tires crunched over wet gravel behind the old stone carriage house.

Dante didn't wait for the car to stop rolling before pushing his door open.

Elena scrambled out right behind him, ignoring Marcus's low curse as the rain soaked through her thin black uniform blouse in seconds.

The second floor of the carriage house—where Mrs. Alvarez had lived alone since Luca's death—had a single yellow light burning behind the dormer curtains.

Dante took the outside wooden stairs two at a time. He didn't knock; he turned the brass knob, found it unlocked, and pushed the door open into a warm parlor smelling of chamomile tea and cedarwood.

"Sofia!" Elena cried out.

Sitting on a braided rug in front of a small electric heater was a little girl in pink flannel pajamas, her dark curls damp around her ears, clutching a worn stuffed rabbit with one ear missing.

"Mami!"

Sofia scrambled up and bolted across the room. Elena dropped to her knees on the floorboards and caught the forty-pound weight of her against her chest, burying her face in the child's warm neck, inhaling the familiar scent of baby shampoo and strawberry toothpaste.

"Are you hurt? Did anyone scare you?" Elena gasped, running her hands over Sofia's small shoulders and arms.

"No, Mami. Abuela Dolores showed me the boat from my picture book," Sofia said simply, pointing a small finger toward the corner table. "And she gave me warm milk with cinnamon."

Elena looked up over Sofia's curly head.

Mrs. Alvarez was standing beside the small kitchenette counter, wearing a faded blue St. Jude's nursing smock under her unbuttoned gray cardigan. Both of her wrists were bare and completely unbruised.

On the table in front of her lay a child's crayon drawing of a red wooden sailboat with the name SOFIA printed on the hull—folded along the exact same creases as the laminated Port Authority bus tag in Dante's hand.

"Dolores," Dante said. The single word held the weight of twenty-five years of loyalty and betrayal. "Explain this to me before Marcus comes through that door."

Mrs. Alvarez didn't flinch. Her dark eyes moved from Dante's drenched tuxedo down to Sofia, whose large, dark brown eyes—framed by thick, straight lashes and a tiny crescent-shaped birthmark just beneath her left earlobe—were looking straight up at Dante.

Dante went completely rigid.

Luca had carried that exact crescent birthmark beneath his left ear since the day he was born.

"I took her out of that apartment because Richard Whitmore's men were ten minutes behind me," Mrs. Alvarez said calmly. "And I put Luca's watch and his medal in Elena's coat tonight so you wouldn't let her walk out of this house when Vanessa tried to fire her."

"You framed an innocent woman in front of two hundred people!" Elena said hotly, holding Sofia tighter against her chest.

"I knew Dante wouldn't turn you over to the police once he heard the chime on that watch," Mrs. Alvarez replied, looking straight at Elena with fierce, unapologetic eyes. "Because seven years ago, two hours before his car went off the bridge, Luca stood right where you're kneeling and made me swear on my mother's rosary that if anything happened to him, I would never let Richard Whitmore find out what was hidden inside that watch."

Dante stepped toward the table. "The watch was empty when Elena opened it three days ago."

"Not the back casing," Mrs. Alvarez said softly. She picked up a tiny brass hairpin from the saucer beside her teacup and pointed to the thick gold bezel framing the cracked crystal face. "Your brother didn't go to her father's shop to learn how to fix springs, Dante. He went there so old Mr. Morales could build a false inner rim under the twelve o'clock dial."

Dante placed the gold watch flat on the wooden table.

With steady fingers, Elena reached out with one hand while holding Sofia with the other, pressed the hidden tension pin beneath the twelve o'clock lug that she knew her father always used on custom cases, and twisted the gold bezel counterclockwise.

With a faint click, the front crystal ring lifted off.

Coiled tightly inside the millimeter-thin recess around the dial was a strip of microfilm negatives—and scratched into the raw gold underneath with a watchmaker's scribe were two words:

ST. JUDE'S — ROOM 414.

May you like

Elena's heart stopped.

Room 414 wasn't an archive room from seven years ago. Room 414 was the exact cardiac step-down room where her mother, Rosa, was lying right now.

Related Stories

Other posts